Past Realities Versus Hypothetical Futures: Bridging Accurate Perceptions and Individual Expectations Gaps in Relation to Future Space Exploration at Entertainment Attractions

Details Past Realities Versus Hypothetical Futures: Bridging Accurate Perceptions and Individual Expectations Gaps in Relation to Future Space Exploration at Entertainment Attractions Past Realities Versus Hypothetical Futures: Bridging Accurate Perceptions and Individual Expectations Gaps in Relation to Future Space Exploration at Entertainment Attractions

Jan 2002

adsabs.harvard.edu/cgi-bin/nph-data_query?bibcode=2002iaf..confe.642c&link_type=abstract

IAF abstracts, 34th COSPAR Scientific Assembly, The Second World Space Congress, held 10-19 October, 2002 in Houston, TX, USA.,

Physics

Scientific paper

Past Realities Versus Hypothetical Futures: Bridging Accurate Perceptions and Individual Expectation Gaps in Relation to It has been more than forty years since the dawn of the space age and the notion of human space flight has settled comfortably into the human psyche. Yet there is disconnect between the cinematic representations of space exploration and long-term program plans of national space agencies. For entertainment attractions, too often these cinematic representations cloud public perceptions of the art of the possible in space exploration. The forecasts of personal hover mobiles, ubiquitous robots, and luxury cruises to the moon that were to be available to society at the end of the last century have turned out to be grossly exaggerated. This results in continued frustration and subsequent ambivalence of the public towards space. Eventually, these misperceptions have a direct relationship to the level of support shown by legislative bodies towards public outlays for space exploration. The value proposition to society of space has changed, from one of transformational change (Apollo) to transactional apathy (the current Space Shuttle). The past realities of the space program and the potential futures enabled by the current generation of space scientists and engineers will not be equivalent. Yet there is an opportunity to showcase the best of the upcoming future without defrauding the public's imagination. At the start of this century, new visions of the future are being prepared by various entertainment entities (e.g. for movies, them park attractions). This examination consists of a review of previous paradigms of translating space visions to the public. Given the background of the authors in conceptual space engineering, recommendations are made as to more scientifically credible attractions while maintaining the entertainment proposition. Different scenarios are presented as to potential futures and impact of these on entertainment attractions. Criteria are given as to the characteristics of exhibits that can be robust enough for both the near term and will not fall into the trap of being outdated by actual events.

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