The first astronomical hypothesis based on cinematographical observations: Costa Lobo's 1912 evidence for polar flattening of the moon

Details The first astronomical hypothesis based on cinematographical observations: Costa Lobo's 1912 evidence for polar flattening of the moon The first astronomical hypothesis based on cinematographical observations: Costa Lobo's 1912 evidence for polar flattening of the moon

Jul 2010

adsabs.harvard.edu/cgi-bin/nph-data_query?bibcode=2010jahh...13..159b&link_type=abstract

Journal of Astronomical History and Heritage (ISSN 1440-2807), Vol. 13, No. 2, p. 159 - 168 (2010).

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Astronomical Cinematography, Lunar Flattening, Shape Of The Moon, 17 April 1912 Solar Eclipse, Francisco Miranda Da Costa Lobo

Scientific paper

Acceptance by the scientific community of results obtained with new technology can be a complex process. A particularly good example is provided by the unexpected hypothesis raised by Francisco Miranda da Costa Lobo upon examination of the cinematographic film obtained during the solar eclipse of 17 April 1912. Contrary to contemporary practice this eclipse was eagerly awaited in view of its astrometrical rather than astrophysical scientific interest. The observation of this hybrid eclipse provided, in theory, a good opportunity to improve several astrometric parameters, and in particular the Moon's apparent diameter. Observations were performed from Portugal to Russia and, for the first time, movie cameras were widely deployed to register astronomical phenomena. Upon analysing the film obtained at Ovar (Portugal), Costa Lobo realised that during totality Baily's Beads were not symmetrically distributed around the Moon. As an explanation and opposing current belief he proposed a lunar flattening in the range 1/1156 to 1/380. Initially other eclipse observers supported Costa Lobo's claim. In particular, Father Willaert obtained a flattening value of 1/2050 from his cinematographic film taken at Namur (Belgium). However, these results were quickly disregarded by the international astronomical community which favoured an explanation based upon the irregularities of the lunar profile.
In this paper we recall the characteristics of the 17 April 1912 eclipse and the cinematographic observations, and review the results obtained. We conclude that the lack of attention paid by the astronomical community to the new cinematographical results and Camille Flammarion's superficial analysis of the data were instrumental in the rejection of Costa Lobo's hypothesis.

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